Publisher: Harper Perennial Modern Classics; Reprint edition (July 5, 2005)
Aldous Huxley is rightly considered a prophetic genius and one of the most important literary and philosophical voices of the 20th Century, and Brave New World is his masterpiece. From the author of The Doors of Perception, Island, and countless other works of fiction, non-fiction, philosophy, and poetry, comes this powerful work of speculative fiction that has enthralled and terrified readers for generations. Brave New World remains absolutely relevant to this day as both a cautionary dystopian tale in the vein of the George Orwell classic 1984, and as thought-provoking, thoroughly satisfying entertainment.
The Guardian – Aiman.A
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“Brave New World is a classic – it is a dystopian novel similar in theme to George Orwell’s Nineteen Eighty-Four. I was recommended to read this book, by my cousin, as I enjoy dystopian novels. Brave New World revolves around the idea of totalitarianism and is set in a futuristic world where a combination of science and pleasure form a rather feudalistic society. This idea of totalitarianism is achieved through test tube babies, and hypnotism, resulting in a pre-ordained caste system consisting of intelligent humans suited to the highest positions and conversely, serf-like beings genetically programmed to carry out menial works. In this world of Alphas, Betas, Gammas, Deltas and the unfortunate Epsilons, exists drug-induced happiness, caused by what is known as soma. Here, “everyone belongs to everyone else” emphasising the system of forced promiscuity, brainwashed into the people from the moment of birth. At the core of this book is the horrific idea of eugenics and despite being written several decades ago, its message remains valid for our generation.” Read more…
The Independent – Fay Weldon
“I first read Brave New World in 1949. I was a frivolous 18-year old studying economics at St Andrews. There had always been favourite books. I’d grown up with Tolkien’s The Hobbit, moved on to the homoeroticism of EF Benson’s David Blaise, then to the bodice-rippers of Georgette Heyer and the fierce socialist indignation of Upton Sinclair in The Octopus.” Read more…